coloured vinyl! sometimes it takes a while, but in the end all good things come together! that’s exactly what happend when our favourite murat tepeli got in touch with us and presented these outstanding tracks. from the jacking >çiftetelli< via deeper territories >mastika< to the core of electronics >good< the whole spectrum from one of germanys most gifted producers! welcome murat!! thanks for purchasing a real copy!

chasing voices returns for its 4th installment with an audacious reiteration of the projects uncompromising ethos and technique. >valley of the dry bones< operates on the peripheries of club music and far-sighted rock mutation, death march-disco for the ever-present sunburn of daily scourges and musical apathy. prospering from plentiful sentimentally-tinged stabs and a breathtaking, slow-churning progressive disintegration, >valley of the dry bones< hits intuitively and suddenly, a bent and bruised anthem for problematic times. despair can be celebrated, and celebration can be despairing—if anything the nyc collectives latest bomb seems to stem from a need to revive the cannibalism of a movement that has grown weary of its own cliches, to dissect itself and hopefully come out the other end better and new?? albeit scarred and never quite the same.

its now the turn of shapednoise for features series, and to complete this ep made of pure adrenaline theres the remix of the well known dino sabatini (outis music,sonic groove, prologue). shapednoise, one of the youngest and most promising artists of the techno scene, is based in berlin, fully living the repitch recordings project. his musical background is really wide, and you can notice it listening to his productions, a futuristic vision of the sound, with industrial elements and synthesizers characterizing his sonority. the second act of the series starts with white light white head: an out of ordinary track, an unusual beat, techno futuristic, that flows into a neo-industrial sound, with soundscapes that make it mental, but at the same time a post-apocalyptic dancefloor hit. dino sabatinis version hypnotizes us, manipulates shapednoises sounds las only he can do, with his incomparable personality, rhythmics and drone evolving until the end of a trip to the edge of reality. cosmic landscapes (the tiltle already tells a lot), is a track with very powerful rhythmics, for the lovers of straight-techno. shapednoise, an artist to absolutely keep an eyes on this year. also this time the artwork of pasquale ascione makes its part: surreal, unique, making you wondering where this faces come from, maybe from our dreams.features series is a whole of musicalities where images and imaginary interpenetrate. supported and played by norman nodge, perc, samuli kemppi, jonas kopp, marcel dettmann, adam x, tommy four seven, lucy, dvs1, pfirter and many others!

following cuberas 2011 debut with the imperial ep, kyle geiger embraces a new era for 2012 with the mimetic desire ep–further establishing his fresh and uncompromising approach to techno, with his blend of traditional low-end strength and thoughtful melodies. the feature cut, >mimetic desire<, uniquely intertwines thick, defined bass with geigers signature percussion, and most notably, a searing hook that will easily find its place in the rising, peak-time mindset of a twisted dancefloor–while simultaneously providing just enough delicacy to successfully march through the early sunrise hours.

this is what we call house music soneec lauer & canard the producer trio from poland are on fire and with the fantastic voice of virag this release is a must for all the house heads 3 mixes to choose from deeper vibes to slammin uptempo disco grooves. what else!

the latest instalment in the ever-evolving tale of circus company comes from a partnership that has already borne plenty of tightly honed dancefloor fruit, although never before for our merry band of performers and freaks. marc schneiders service to european house music runs deep. as well as steering the course of the mega-distributor wordandsound, marc has been steadily appearing on releases and remixes for new kanada, metamorphic, einmaliens and many more over the years. however marcs studio collaborations with ralf schmidt are fast becoming his most celebrated output. ralfs aera project is already being loudly championed by the most critical tastemakers in the business, including glowing praise from resident advisor and fact magazine for his unique and impeccably crafted tracks on his own aleph music label. after a string of successful remixes, the pair consummate their shared passion with this strong, focused three-tracker that makes a space for itself in the club-ready end of the circus company record bag. what on the surface may seem like straight-up dj friendly cuts soon reveal their hidden depths. whispers of techno melodies and textures hum away under the surface, while those with keen ears will pick up the sneaky tributes to uk rave culture that aera is known for sprinkling over his tracks. primarily though, these tracks gracefully tread the line between functionality and flair, leaving you with another glorious selection of imaginative house music with that inimitable circus co. stamp on it.

say hello to rest! ...the new label of herb lf (westpark unit, gush collective, draft recordings, supafeed) and phil decker (sensual touch recordings)! for a start the two labelrunners are entering their brand new stage in person as their project discoshit. after recently having taken part on the rhythm kings compilation by traveller records, next to ooft, nicholas or leonidas, they now present their debut ep strike a pose! heavy bass dub meets deep disco on the starter strike a pose! with its dubby vibe it stands for the spirit of the time. sound of... raises the pressure with a symbiosis of 80s funk and pure housesound. its getting hot,baby! breakers and househeads agree on deep chords and swinging handclaps on the dancefloor. if roy ayers would do slomo house, it might sound like biwak. crackling jazz warms up the cold club or serves up the perfect pick for a sunrise set. filtermadness and sample patchwork, in the end number one sneaks into the prime time with finesse and pop appeal. on top of that strike a pose! is presented in a stylish cover artwork by elinasolomonov(arte tv).

> music is being passed, inhaled, and expelled into nothingness. in order to fight the nonexistence of music we need to get those round plastic archives back into our hand< as you understood those archives are vinyls…the only way to keep the music alive in our head and soul through our hands, as ricardo said…and you know how much we care about that! miranda first ep on bosconi will be probably one of his last on any other label before he starts his brand new imprint. after releasing on some of the most respected techno/house label of the globe, as neroli, rush hour and reincarnation, rm doesn&#700,,t need further introductions…so we&#700,,ll quickly tell you that here you get a three tracker of pure raw analogue pleasure and proper dancefloor goodness including the bouncy acid house groover >state of mind<, the dry, nasty and minimilastic chicago rooted drum tool track called > drum with the funk<, and in the end the peaceful, dreamy and atmospheric trip of > no sound<….all the necessary ingredients for you to not leave this record out of your bag! vinyl will save our soul

reaching the age of twenty and barely legal, > cabin fever< presents this mysterious e.p from downtown miami. and what better way to end the year than with these super funky, slow-mo funk infused house jams that are sure to bring some sunshine onto the dancefloor!

as said in the info for dérive vol. 2 in 2010, haste makes waste. that in mind it does not surprise it took even more than a year for dérive to come up with vol. 3, but finally its there.a 1 björnski & a different jimi_9 to 5derive co-owner björnski opens up with his first release >9 to 5<, a collaboration with his partner-in-crime a different jimi. sharing a passion for deep house and jazz music, they produced this hypnotic eight minute track built around a jazzy piano loop that melts together with the bass line, surprising the listener with jimis saxophone solo. b1 achim maerz_haters gonna hate >haters gonna hate< comes from derives resident producer achim maerz who just released his first mini album >this is the end< on fine art recordings this summer. obviously it was just the beginning, as he comes up with a warm, deep and dubby yet still pushing track that lets you wanting the night to last forever. b2 tilman tausendfreund_with you the last track on this record is delivered by hamburgs latest talent, tilman tausendfreund. after releasing great solo tracks and coops with christopher rau (e.g. on contentismissing or hypercolour), on >with you< he chills it down to a funky 95 bpm, soulful sweet little something that works great both in your club and bedroom.

for this 2nd release,we give you the opportunity to grab 5 fantastic trax done by nicholas, new incarnation as soul systemthe brains behind the no more hits imprint is back with one of his biggest 12inch to date ! the ep opens with never gonna be the same,an exquisitely produced track, full of depth,its a melting pot full of sultry vocals,soulful disco samples and an irresistible groove on a2, we get the wonderfull & lushy keep on giving,it sounds to us like a 90s lost deep house classic workout with crisp kicks and pulsing synths & bass.and then on a3 soul beats is an old shool 90s house nugget too that result in guaranteed dancefloor mayhem! b1 comes up with one of the best track hes ever done to us (theme from) soul system, think proto - techno, man parrish, it sounds like an hybrid between hip – hop & electro, killer!and to end on b2, we are again back in the 90s. >everything must change< moves the body on a deeper level with chugging some solid house grooves & some syncopated beats. for anyone who likes deep,analogue synth heavy groove, moodymann, theo parrish, mcde... this ep is clearly for you.

the sixth field 12inch presents four of the most outstanding dutch artists on one ep, namely delta funktionen, rod, mark du mosch and roberto auser. the end result is an abstract trip through the deep fields of ambient, house and stripped techno.

behind cosmic metal mother youll find our man in rome paolo di nola. here he takes time out from running his panacustica label to present you a lovely, melancholy, downbeat piece of cowboy disco. on the a-side youll get an additional version by label honcho prins thomas, giving you what you never knew you wanted...a potent mix of bluegrass and acid..on the b-side nycs the stallions aka gunslingers extraordinaire lovefingers and lee dougles fights of the bad guys and gets the girl in the end...into the sunset. internasjonal hq, september 2011

far out recordings celebrate a funky south american christmas with the release of a special and very limited –, to just 100 sets worldwide –, edition heavyweight vinyl lp double pack from the labels two biggest artists azymuth & banda black rio. their albums were two of the records of the year in the latin / funk / dance / world market and here the perfect combination come together to party through the end of 2011 brazilian style. presented together for the first time this quality package of legendary artistsl, brilliant acclaimed new recordings and stunning reversible artwork (azymuth by andy votel and banda black rio by paul flack) will become highly sought-after as with far outs previous exclusive, limited five seven inch vinyl set for record store day.

incl micro001, micro002, micro007, mirco009 & micro010...

as we approach the end of 2011, low down deep recordings proudly present majistrates >stronger< lp. the kent producers first full length offering, and indeed the first lp to be released on logan ds imprint, is sure to have drum and bass heads rushing to the shops in time for christmas with the tracks ringing around clubs and arenas well into the new year.

two children of 35 tired of life, indecisive if they should commit suicide or continue to produce boring and repetivie music.in the end the boring and repetitive pusic wins. perhaps because making house music is the best way to feel alive!

boys noize – the remixes 2004-2011’ shows ridha’s electro stylings applied to the best and brightest in the industry. spanning over 6 years of work, this album showcases boys noize’s ability to rework source material into his own unique and inspiring compositions. from the stunning beauty of his remix of feist’s ‘my moon my man’ to the emotive synth work on daft punk’s recent ‘end of line’, alex’s touch never fails to impress. when we say ‘the best and the brightest’, we truly mean it, from critically acclaimed legends like david lynch to the cooler than cool n*e*r*d, this release truly has ‘a lot’ for everyone. be curious on the remixes boys noize did for depeche mode, snoop dogg and justice.

next detroit influenced techno - techhouse bomb on thoughtless music incl. huge someone else remix. don not call it a comeback: philadelphia techno legend and 611 records founder nigel richards drops three tracks of abstract late night warehouse music with his debut release on thoughtless. the title track works a chugging low-end and insistent percussion which combine to propel it through a vortex of intergalactic analog textures. taking time out from his busy release schedule for foundsound and little helpers, fellow philadelphian someone else turns in a deeply hypnotic rework that brings reverberant chimes to the foreground atop a bass line that refuses to quit. >deeeep< sees mr. richards exploring further regions of uncharted space by crafting a sleek techno vessel out of thick bass slabs and quicksilver high-hats, pushing forward as all manner of nebula and supernova stream past at light speed. one of the most influential names of east coast techno is back with a vengeance - fasten your space suit for zero-gravity fun...

two marcel dettmann remixes of the morphosis track too far that was on the album what have we learned released earlier this year called. original also included. after newworldaquarium and just for one day already reworked some choice cuts from morphosis what have we learned album, there will be a second remix sampler released at the end this year. ostgut-frontman marcel dettmann delivers his dettmann definitions from too far and will join by the original cut from morphosis himself on release.

glasgows taz buckfaster - or just taz - was one of rwinas earliest discoveries.his two eps on rwina have leaned towards the dubstep side of things,imbuing them with the playful hip-hop inspired mischief that remains the rwina trademark, playing with dub skank on kingston bridge and sending off firecrackers of concentrated synth melody in nearly uncontrollable bursts on 20 red. he now makes a welcome return to the label at the end of 2011 with the neurotica ep with four brand new tracks of uncompromising glaswegian heat.

nice price deal !!! exercise one return to their exone label for the end of 2011 with a low slung slice of electronic indie featuring zach van hoozer of the zulu pearls on the title track you ought to know. exercise one and van hoozer first met when the zulu pearls played with them in berlin and impressed with their melancholic pop melodies and minimal arrangements, coupled with zacs distinctive voice and swagger. peter van hoesen delivers a standout remix, working for the first time with a full vocal arrangement. peter is a long-term friend of the duo, first recording on their lan muzic label when he began producing techno again and having released previously on exone this year.

limited 12 inch edition of 111 hand stamped and numbered copies.
>andromeda< is the first single for the upcoming debut album by deckard entitled >for a better tomorrow< that will be released on vinyl end of december in germany and early january world wide. it includes the original version, remixes by bit-tuner and demokracy as well as a nice drum & bass remix of >the dawn< by rowpieces.

after making his way on institubes, surkin completed his first album which comes out on marble,among theses sixteen tracks, vocals featuring from ann saunderson (detroit),kevin irving (chicago) and two collaborations with his teammate bobmo (both together known under the name of high powered boys).an album that explores all facets of dance music!

continuing on his intergalactic journey traversable wormhole now enters into the portal entitled volume 9 >world line< is a hypnotic dark tonal 4/4 deep bass driven affair thatm intensifies in relative velocity as it travels through four dimenisional spacetime. switching back momentarily into the third dimension we enter into >present hypersurface< a punchy percussive broken beat affair layered spacial droning string tones & melodious thick analgous white noise. in question now is if the present is the past and or is the future the present and when if at all does it end?

the man whos seen it all, thats terranovas fetisch, but he had it coming. as punks earliest and certainly youngest adopter, he strolled through late 1970s berlin, then moved to new york researching the first symptoms of hip hop, only to find himself being a many clubs resident dj in london at the end of the eighties. enters terranova, shrouded in mystery from the very beginning, fetisch‘s go-to project, that he originally conceived in 1996 to explore new club territory, and that has since built its very own cult following. kompakt truly feels honored to be the new home to an artist with such a rich background in club culture, especially as terranovas latest incarnation includes berlins house staple and boywonder &me as well as guest singer khan in his preferred role as the longest running hype in the history of underground awesomeness. consequently, it is with great poise that the trio‘s latest 12inch >so strong< commands its army of listeners to the floor, not unlike terranovas first outing on kompakt, the confidently named i want to go out. both the title track and epic flipside boogie for the dollar make up for a double headliner that takes you on a beguiling trip to the dark side of the club. no only do terranovas sequencing and beat programming deliver in spades, the package also sports some of the best vocals khan has churned out to date, featuring his trademark fusion of cool indifference and pure sleaze: >i give myself up to your splendor... so strong.<

we are at the end of 2011 and so it is time for a record label to find a great final for the music year 2011. after four successful releases, mimique looks back to a fantastic start and presents music from his heads and calls all of it mimique ep. andy smith, steve haze, michel laro and the frenchimport mozaic do their share and give this ep a wide fan of music which represent the label. you could call it mimique style. many tastes will be satisfied with this release and will give a sweat appetite for the next mimique music year 2012.

uncanny the label that took everyone by surprise comes with more goodness! the third artist-ep by dresden-based label comes from house- and hip hop-mastermind cuthead and is nothing less than a proper power package. with vibratin things start off as deep as the bottom of the sea. underneath cutheads dense drums there is an intense and meditating synth line which is eventually complimented by an acid figure as if it was an evil twin. brother rolls in with a mighty kick drum, before a catchy sample and not less catchy piano motives prepare for a propitiating end. with transgressions and its bass line for the bigger floors things get down to house business once again. the remaining two tracks then give an impression of what happens, if cuthead takes to the mpc for his liveset. in seram lembah und heartless cuthead combines his drumming with south east asian disco-mantras und bittersweet blues chants to heavy hip-hop-grooves. loving it!

skylax records, the company focused on realeasing original obscure dance classic and everything that sounds fine to their ears! for our 25th release, we are back again with simoncino for the warrior dance iii, this brand new ep will feature on a side the wonderfull >warriors dance< (chicagos jackin heaven is not so far we guess), >tropical vibe< that has got this kind of disco feeling without sounding (thx god) nu-disco & to end >hey detroit< that speaks for itself. on the b side, we have the very big honor to get 2 extraordinary remixes, one from the legendary ron trent (more than 10 min long!) & another atmospheric & deep as hell one from chez damiers morning after mix part ii. this is the kind of release that will remind you what house music is all about. useless to say that simoncino is on top right now & is writing some future & cult club classics. a must to have in every djs collection

nazareths second 74 album >rampant< finds the group tempering the four-on-the-floor hard rock attack they developed on >loud and proud< by working a surprising and effective southern rock edge into the songs. the end result is an album that sounds like a early ac/dc meets lynyrd skynyrd at their hardest rocking. this gatefold sleeved, 180 grams audiophile edition of the album contains the b-side to the >love hurts< 7 inch single as a bonus. rock on!

nice price deal !!! another critical release,following the deadly djs pareja single of last month. perfectly timed and cued after the recent raudive long-player on stefan goldmanns macro label. raudive is oliver hos darker, more new-wave operative, and these latest productions have caught the attention of the folks at history clock - and its a perfect alliance. the levels ep is a debased mix of sleazy, after-hours acid-dancehall with the icy cool of minimal, machine-music dynamics. essential, in a word.

part 2 of 3 of the remix package taken from the triple vinyl album ?un?nished business by suspect - thug records as the apocalypse rages on, communications expert tevo howard has be assigned to help develop a strategy that can end the terror. with no known footage or visual sightings of suspect, tracking the enigma responsible for launching the virus known only as ?un?nished business remains dif?cult. the survival of humanity sits on a knife edge. the virus has been ef?cient in its ability to morph and remain undetected. previous vaccines have only helped slow the rapid spread of the virus. now a new hope beacons… the resistance is armed with 3 new bio weapons which have been developed from original strains of suspects material. transmitted via an injection of analog drum machines, dark rave synthesis and tevo howards unique arrangement techniques, the thug 004 remix package adds new weight to humanities plight for survival.

approaching the end of the year, pole presents another spacey and heavy bass 12 inch. two melancholic, quiet tracks full of crackles and endless space, made for this winter. it seems that the warmth of these two tracks is glancing around a corner of a cold urban wall, just to say:s-o-o-n, and it will be summer again.in contrast to the first 12 inch waldgeschichten, with its use of full chords, this new production is marked by its use of spaces, which seems to expand until they collapse and enfold the listener. this is the second 12 inch by pole, one of a new series of releases which will end in a cd release in 2012.

phuture shock musik present their 5th release, this time procuring the reliable talent of one of the most slept on producers in the world of bass music - that is simon/off. those in the know will be aware that the austrian native has been simmering in the underground for quite some time now, having laid the groundwork through early releases on haunted audio, a noteworthy ep for immerse records, and further contributions to several other smaller labels. this latest plate by the name of >planetary communication< ep finds simon/off leaning more towards his techno and broken beat side, which has of late began to flourish in his recent productions, and consists of three well crafted afro-tech riddims oozing weighty low-end frequencies, funky drum work and finely detailed percussion. widespread support on sub fm, and increasing support from several other major players in the underground bass scene.

its number 77 here at morris audio and your weekly dose of house and techno! 4 hot producers giving you the beats and basslines you need. starting with swiss duo azuni, their raw chord is a special one. sadly, it will be their last track ever released, as the azuni project has come to an end and gianni and sven will work solo in the future. thank you guys! frenchman julien sandre is what you call a name to watch. his music has been released by labels like tsuba or diynamic and his future looks bright. the flipside offers us housemaster dj aakmael (uzuri, unxpozd entertainment) with some old schoolish beats for all those mixmasters out there.
big with: maceo plax, mic newman, robert dietz, sebo k, huxley, hector, trickski, jordan peak, ekkohaus, james johnston, roberto rodriguez, shaun reeves, boris hotton,..

after the huge succes of its tenth release (davide squillace & guti), hideout is back with with the third slice of the deconstruction revisited series. this time, crocodile tears, which appeared on davide squillaces tutti frutti ep (ho003) got offered three amazing relectures. it all starts with mr robert dietz (cadenza, cecille ...), who delivers a super modern and energetic relecture, where intelligent synthetic percussions mess around with weird noises and processed effects. after two minutes a monophonic synths starts its battle with vocals from squillaces original to end up on a more minimal groove. gflame aka portugese techno start cisco ferreiras (the advent) relecture directly sets the tone: a nasty bassline with a crazy synth stab flies over a soft but very heavy techno beat, to evolve to an elegant tech house track (no bongos involved). finally sis, the man behind cocolino imprint, reinterpretation starts with a long intro with the kick dropping after more than 3 minutes. the melancholic feeling of the track builds into a very subtile beat with reverbered elements all over. the percussion layers and delicate melodic synths add some organic flavour to the music so the 14 minutes remix is never boring and takes you to a nice journey thru sounds. you can tell somebody was in love when making such a beautiful song. another must have from hideout!

nice price deal !!! resurfacing a few years major his explorations >at the end of the world<, dan quin throws from left field and scores a hit with his unorthodox take on vocal house music. >everybody knows< is a party-rocker with heart and integrity, remaining loyal to the tenants of dark, exploratory house and techno while superseding the problematic attachment to the past that has retarded the development of song-based dance music. the result is a sprawling, ominous and moving piece of internally conflicted electronica, caught in the ford between a reverence for the work of electronic-pop visionaries like fever ray, and the loyalties of the vast, red-lit expanses of nyc rooted club music. featuring the fresh new talents of brooklyn native tammy k., >everybody knows< is the latest release on dope jams very own in-house record label, a new manifestation of soulful house for a new generation of dance music devotees thirsty for the universal sensibilities of the vocal without the tired cliches of yesteryear.

after the highly successful sunshine reworks #1 (still going strong - big thank you!) soulshare is back with two more deep disco gems in this solid series.
first up and we are once again at prelude for a sweet beefed up version of the classic soul boogie shuffler love fever. pitching things up with reconstructed vocals, added layers and killer drums, dean ignites a deep disco flavor to this track! rounding things off with more retrospective hands-in-the-air pianos its another storming anthemic floorfiller - already getting serious support from some of the key players!
flip over and track two is a deep n dubby trip with tamiko jones fave let it flow. dean takes this killer groove and adds echos, effects, drums and vocals to create a deep disco groover that keeps you shuffling till the end! with a joyous percussive overlaying finale this track is perfect for todays deeper floors. another solid release from dean and his sunshine reworks series. getting big support from the likes of ashley beedle, eric duncan, yam who, pbr streetgang, luke una etc...

>zen< is dj krushs seventh album and features collaborations with black thought and ?uestlove of the roots (on different tracks, mind you), n dea davenport of the brand new heavies and zap mama, as well as unknowns from the japanese hip hop scene. the beats he creates are organic, at times defying any genre-descriptions, which is exactly how dj krush likes it.
this album from 2001 hasnt been available on vinyl for years, and is now made available to you on double 180 grams audiophile vinyl.

title track >lasers are forever< combines arpeggiating analog squelch, lush synth atmospherics and subtle percussion sequencing to lend itself an uncommon sense of drama, the effect of which is both compelling and visceral. on the flip, >hello darkness< takes a somewhat different approach: an imposing arp 2600 bassline pulses along front-and-center with a relentless acid-tinged snarl, while pounding drums and swelling pads complete this most banging of danses macabres. on remix duties are throne of blood alumni remain & mlle caro, who retain the key elements of their source material only to reveal an entirely different beast lurking beneath: the parisian duo take down the tempo a few notches and let swelling analog filters and unfurling lfos do the rest. meanwhile, get the curse music boss clement meyers deformhaus remix of >hello darkness< tightens the originals percussion to an industrial stomp and introduces a spooked-out synth line every bit as funky as it is uncanny- the end result lands somewhere between the boneyard and the discothèqu

a shiny picture disco for slow motion records release number 7 - disco wizard by francisco from jolly music. beamed from distant satellites via 1983 and picked up by a crack team of berlin based italian disco commandoes, the disco wizard brings to mind space, the tougher end of pre-84 italo, guys with beards and grace jones and amanda lear dancing the night away. a nagging baseline propels the track forward with alternating male and female vocals that coo and tease, whilst twinkling refrain evokes the giogio morders classic >the chase<. on the flip side the dub mix strips away most of the vocals and injects some serious strut into the beats. the rougher, tougher cousin of the original to send the boys and girls wild with cosmic desire. you have been warned.

mount wittenberg orca is a collaboration between dirty projectors and bjork recorded in the spring of 2010. for the first time it will be made available on deluxe lp.
the deluxe lp features:
- 180 gram heavyweight vinyl
- code for mp3 download
- 3d/lenticular cover
- 11 x 11 inch full color 12 page booklet
- each record is hand numbered and a limited run of 3000 will be pressed worldwide.

hiding behind their three character website is a belgian duo called goldffinch whose steep vision of dancefloor techno marries loveable little phrases of awkward computer conversation with the kind of kick drums that will rattle the windows of your neighbours house when your soundsystem is tweaked perfectly. goldffinch may well be a duo bent on keeping things simple but when the end result, which is built out of such minimal layers, is so arresting, there’s no need to change the formula. not one bit.

limited !!

very welcome reissue of the original sire records release of dinosaur s kiss me again from 1978. written and produced by disco legends arthur russell and nicky siano and weighing in at a heavy 13 minutes long, this is a truly hypnotic disco odyssey which takes you on a curling and tension-filled journey through funky piano riffs, signature scratchy guitar work by talking heads supremo david byrne, tumbling drums, stabbing horns and of course mr russell s swirling atmospheric cello solos. all this is held together by myriam valles beautiful yearning vocal performance until the crazy mind-blowing orgasmic final minutes where david byrne goes wild and the whole thing explodes in pure dancefloor meltdown. choose from the a-side jimmy simpson mix or dinosaur s own more stripped down, chaotic but equally compelling mix on the flip. huge in new york especially at nicky sianos own gallery nightclub, later championed by frankie knuckles in chicago and more recently chosen by twitch as the perfect record to end the very last optimo espacio, this is a true disco classic and absolutely essential in any discerning record collection.

audiojack return to 2020 after a year or so setting up their imprint gruuv. the new single >get serious< shows the duo not only mature as artists but also develop and hone their sound to new house themed productions. the title track is state of the art bounce in a box with a killer vocal hook, >let the rhythm take you<, meandering around sweet insistent stabs. its been smashing terraces, rooftops and discotheques all summer and now its finally available for our select dj friends to carry on the vibes through autumn. >polka dot dress< comes spotted with a sound originally created on the classic korg m1 synth and used by mk to devastating effect in the 90s. audiojack have then sprinkled their magic dust on it and added sweeping detroit techno strings, tight drums and healthy amounts of bottom end rumble. as we look forward it is important to know your roots and audiojack show they know their house history by covering the all time classic by the backroom - definition of a track. no samples at all were used and the guys worked out and replayed all the synth parts before adding new vocals from kevin knapp. by beefing up the original we hope a new generation of djs and clubbers bust out this amazing track. it deserves to be heard again and is produced and primed for todays dancefloors.

luciano s cadenza imprint welcome fresh blood into their reputable fold of producers for the stunning debut cadenza ep from davide benedetti. italian davide, better known as davidino, has been making unforgettable impressions over recent years with his spell binding and peak time music, cadenza now proudly introduce davide benedetti and the >through the years< ep. kick starting with hearty kicks and menacing sirens, >can t do this< reeks of euphoria from the offset as tenaciously strung hats slam, cymbal crashes shimmer and tempos accelerates beyond bounds. flooding the dance floor with sheer force, davide plays with the core structure of classic house and techno music in >can t do this< as he builds and breaks for the ultimate fist punching opener. on the flipside, >through the years< presents >moody elise< with a dark and sultry bass line bellowing through the lower end firmly into our memories. chopping the track s structure with immaculate precision, moments of sophisticated brass break as spitting drums bind the groove once more. as always, davide injects his contagious energy into the ep with stomping, modern house music on >moody elise< as it begs for late night tales and debaucherous behaviour.